AI for Good Film Festival

International film competition showcasing how AI expands creative filmmaking while driving positive impact

Bridging the power of technology, the art of storytelling, and the drive for positive social impact, the AI for Good Film Festival is an international competition that showcases how AI can expand creative possibilities in filmmaking while delivering a powerful, positive message about solving global challenges. 

 AI for Good invites all creatives interested in exploring the potential of AI in scriptwriting, storyboarding, image creation, digital effects, and more to submit original works that are generated or enhanced using AI tools. These submissions should transport audiences to new worlds, narratives, and eras, while exploring the ethical, social, and existential questions raised by AI and emphasizing the continued importance of human talent in the filmmaking process.

Timeline
  • January - May 2026
    Applications phase

    Open for submissions

    15 January – 15 May

  • May 2026
    Selection process

    Selection of shortlist

    24 May

  • May 2026
    Evaluation phase

    Judging process

    25 – 31 May

  • June 2026
    Finalists announcement

    Finalists are announced

    1 June

    Deadline for finalists to share their information

    7 June

  • July 2026
    Awards Ceremony

    Finalists come to Geneva for the AI for Good Global Summit 2026

    7-10 July

Judging criteria
The selection of films for the AI for Good Film Festival will be at the discretion of the panel of judges. After the submission deadline on May 15, 2026, at 23:59 CEST, the Jury Panel will review all submissions and select four finalists. These finalists will be invited to participate in the AI for Good Film Festival Screening and Reception during the AI for Good Global Summit, taking place from July 7 to 10, 2026. Filmmakers will be notified via email by June 1, 2026, if their film has been selected for the AI for Good Film Festival Premiere.
  • Quality of the overall film composition
    The film should exhibit a strong artistic vision, demonstrating a unique and imaginative approach to the subject matter while reflecting the filmmaker's individual perspective on the role of technology in shaping the future.
  • Cohesion of the film narrative and artistic message
    The film should present a compelling and well-structured narrative that aligns with the festival’s theme of envisioning how AI and technology influence the world. A clear artistic message should be communicated through storytelling, visuals, and direction.
  • Creativity and originality
    The film should showcase fresh storytelling, innovative artistic vision, and an original approach to filmmaking. It should captivate audiences with its unique perspective, engaging storytelling techniques, or unexpected artistic elements.
  • Boundary-transcending, international resonance
    The film should showcase the potential of AI, using storytelling to engage with global challenges. Its narrative should resonate across cultures and create a meaningful, inclusive impact for diverse audiences.
  • AI techniques incorporated
    The film should creatively and purposefully use AI tools to enrich the cinematic expere, such as generative algorithms, neural networks, or machine learning.
  • Ethical and legal integrity
    All submissions must follow ethical filmmaking practices, ensuring responsible use of AI-generated content and proper licensing of all materials or use of public domain resources. Filmmakers must uphold intellectual property rights and maintain transparency in AI applications throughout the creative process. They are also responsible for securing all necessary permissions, licenses, and releases for any copyrighted material used in their films.
Submissions guidelines
The submitted films should adhere to the following submission guidelines:
  • Eligibility

    Films must have been completed between May 1, 2025, and May 1, 2026, and should be 1 to 10 minutes long. All submissions must follow ethical filmmaking practices, ensuring the correct use of AI-generated content and proper licensing of all materials or use of public domain resources. Filmmakers must uphold intellectual property rights and maintain transparency in AI applications throughout the creative process. They are also responsible for securing all necessary permissions, licenses, and releases for any copyrighted material used in their films.

  • AI usage

    AI technologies need to be a core component of the filmmaking process, but the film does not need to be entirely AI-generated. The content must be original and should not violate or infringe on another’s rights.

  • Submission process

    Filmmakers must submit their films by May 15, 2026, through the AI for Good website. A download link for the film must be provided in .mp4, .mov, or .h264 format. Films can be in any language, but if they are not in English, they must include English subtitles. Each team is allowed to submit only one entry. Participants may submit their short films to other competitions. However, if selected as finalists for the AI for Good Film Festival, the film must not be fully available online prior to the event. Participants retain copyright but grant ITU permission to use their films for Festival-related promotion and activities, with credit to the filmmaker.

Prizes
  • Invitation to the AI for Good Global Summit 2026

    Finalists will be invited to participate in the AI for Good Global Summit 2026 with an exclusive Speaker Pass.

  • Recognition and exposure

    Finalist films will be showcased at the Film Festival Premiere Event on Thursday 9 July, before a distinguished jury and an international audience.

  • AI for Good Film Festival trophy

    Award winners will receive the official AI for Good Film Festival Trophy, recognizing excellence in storytelling on AI in solving global challenges.

World Premiere
  • RAISE
    Year of production: 2026
    Country: United States
    RAISE is a six-part global documentary series exploring how artificial intelligence is already being used to address humanity’s most urgent challenges, and help build a future worth believing in. Executive… Read more
    Directed by Michael P. Nash
The official selection 2026
In competition
  • PLASTIC EROSION
    Year of production: 2026
    Country: China
    Plastic Erosion is a short film that uses AI-generated, hyper-realistic visuals to reframe ocean plastic pollution through the powerful metaphor of “The Self-Consuming Cycle”. Rather than relying on traditional images… Read more
    Directed by Yifei LI and Zheng BAO
  • THE STAR SHEPHERD
    Year of production: 2026
    Country: China
    The Star Shepherd is a film that explores the emotional connection between love, technology and human care. Its concept is shaped by a poetic linguistic link: in Chinese pinyin, the… Read more
    Directed by Xuan Li
  • UTILITY
    Year of production: 2026
    Country: Japan
    In the near future, society is governed by a strict system where every individual has a score printed on their body, representing their “usefulness” to the world. The protagonist, branded… Read more
    Directed by Yuichi Ono
Official host
Founder
, Blue Moves Media

Lindsey Mastis is a four-time Emmy and regional Edward R. Murrow Award-winning journalist and the first local news anchor in the United States specializing in artificial intelligence. As an independent AI & tech storyteller and founder of Blue Moves Media, she demystifies emerging technology through human-centered reporting, documentary-style features, and global speaking engagements.Her work spans two decades of frontline journalism from mass shootings to robots on Capitol Hill. During the pandemic, she created a daily unscripted live program that reached more than 23 million viewers, connecting the public with medical experts and trusted information.Lindsey’s reporting has taken her across the world. She produced and hosted a documentary on child survival in India as an International Reporting Project fellow, covered international issues in Mexico, and taught digital journalism to reporters in Iraqi Kurdistan.Her latest independent feature, “Is AI Ruining Music?”, includes perspectives from artists such as Rosanne Cash, Jackson Browne, and DJ CherishTheLuv, and has been featured by BBC Radio. She also scored the piece herself, drawing on her work as a singer-songwriter.Lindsey founded Blue Moves Media as a new model for independent, ethical AI journalism that helps global audiences understand and trust the technologies shaping their future.

Panel of judges
Vice President, AI & Engineering
, The Walt Disney Company

Hans Ku is Vice President of AI & Engineering at The Walt Disney Company, leading AI strategy and execution from Disney’s Office of Technology Enablement. His work centers on AI that protects creators and the IP behind the stories. Prior to Disney, he co-founded Scenely, an AI-native cinematic script-to-screen startup, helped start TikTok as CPO of Flipagram, led product at Tubi and Instagram, and architected the Sci-Tech Award-winning DreamColor display at DreamWorks Animation.

Co-Chief Creator Officer
, Baobab Studios

Osnat is the Co-Chief Creator Officer of Baobab Studios, a 10x Emmy-winning leading independent animation studio that has released story franchises Invasion!, Asteroids!, Jack Crow: The Legend, Bonfire, Baba Yaga and Namoo all to commercial and critical acclaim. She brings over 30 years of animation experience to the studio. She produced Disney’s Oscar-nominated Moana and Raya and the Last Dragon. Moana remains one of the most-watched family films in the world. Previously, she led Pixar’s short films group and served as VP of Development at Walt Disney Feature Animation.

Founder and CEO
, Slickcity Media

Malik Afegbua is an award-winning Nigerian filmmaker, contemporary artist, designer, and creative technologist recognized globally for his pioneering work at the intersection of storytelling, culture, and technology. Ranked among the top five AI artists in Africa, he is widely regarded as one of the continent’s leading voices shaping the future of creativity and innovation.He is the Founder and CEO of Slickcity Media and Executive Director of Gener8 and CELS AFRICA, where he leads groundbreaking projects merging African futurism, artificial intelligence, and immersive media to reclaim and reimagine African narratives.A Salzburg Global Fellow, Malik serves on Nigeria’s Council for Creative Technology Futures and is an Advisory Council Member for Young Leaders in Art and Health. His acclaimed project The Elder Series sparked a global conversation on ageing and representation, featured by major international platforms and institutions.Actively working to correct bias in the AI and digital space, Malik’s work and philosophy have been the subject of numerous academic studies, featured in art and academic books worldwide, and cited in several students final-year projects across disciplines. He has also contributed to roadmap policies on generative AI, helping shape ethical frameworks for the future of creative technology.Through film, fashion, and technology, Malik continues to collaborate with global brands, cultural institutions, and development organizations to advance Africa’s creative digital economy and inspire the next generation of storytellers.Share this speaker

Emmy Award-Winning and Peabody Nominated Director

Michaela A. Ternasky-Holland is a Peabody-nominated and Emmy award-winning director who specializes in creating impactful stories using immersive and interactive technology. She is one of the first directors to create and premiere a short film utilizing Open AI’s SORA platform, which screened at Tribeca Festival. Her first original animated series garnered over 2.2 million views on YouTube within a month of release. More of her prolific work in animation has been recognized as Best Directing in XR by The Collision Awards, VR Film of Year Finalist by the International VR Awards, and Grand Prize Winner at The Philippine Animation Festival. As a nominee for the Producers Guild of America’s Innovation Award, she is also a consultant, speaker, and thought leader, who has been recognized as one of the 100 Original Voices of XR and listed as one of Blooloop’s 50 Immersive Influencers.

Co-founder, Liquid Logic; Adjunct Assistant Professor
, Columbia University School of Arts

Matthieu Lorrain navigates the frontier of creativity and technology, shaping new forms of digital experience and storytelling. He is the ex-Creative Lead, AI & Creativity Research, at Google DeepMind. He is also the co-founder of Liquid Logic, an art collective exploring the future of Augmented Creativity. Matthieu Lorrain has a long history of working with recognized artists and global organizations to reimagine interactive storytelling. He has explored creative applications of emerging technologies for the last 20 years, ranging from interactive video to connected objects, augmented reality, and artificial intelligence. His most recent work focuses on how generative AI can supercharge the creative experience. His past projects have received multiple accolades from global organizations including Emmy Awards, Cannes Lions (Gold), Clios (Gold), Webby’s, Tribeca Film Festival, ‘#1 Product Hunt of the Day,’ and FWA.

Matthieu is an educator at Columbia University School of Arts, where he teaches “Augmented Creativity” and delivered the inaugural masterclass on AI & Filmmaking in 2024. He is also a guest lecturer at New York University, Parsons School of Design, and the Fashion Institute of Technology. Matt is frequently invited as a featured speaker at major conferences. He has previously spoken at SXSW, Cannes Lions, Cannes Film Festival, Venice Film Festival, and Ars Electronica.

Born and raised in the French Alps, Matthieu fell in love with creative technology in the underground tekno raves of the early 2000s. He has since lived in Rio de Janeiro, Montreal, and Paris before moving to New York City in 2011. Matthieu has received executive education from the Wharton School of the University of Pennsylvania. He also holds Master’s degrees in Cultural Studies from Institut d’Etudes Politiques de Grenoble and in Marketing & Communication from ESCP Paris Business School.

Director, screenwriter and actress

Yiwen CAO is a young female director, screenwriter and actress from Hong Kong, China. Her debut feature film What’s next? was selected by 2025 Berlin International Film Festival (Forum). And she is recognized as the first director in the world whose AI films selected by three major European international film festivals (Cannes, Berlinale or Venice) .

Yiwen has also been invited as a keynote speaker on AI theme at the European Film Market of the Berlin International Film Festival, the Singapore Asian Film Market, and the Golden Rooster Awards AI Film Night in China.

And she has been interviewed multiple times by worldwide filmmakers, including Emmy Award winners.

Her AI short films have received awards and nominations at multiple international festivals, including Academy Award–qualifying festivals, Animation Day at both the Cannes International Film Festival and Venice International Film Festival, as well as the World AI Film Festival (Cannes) . And her other AI work won “See the Unseen” award at the 2025 First International Film Festival, which is the biggest youth film festival in China.

Before focusing on AI filmmaking, Yiwen worked in the traditional film industry as a screenwriter and actress, receiving multiple Best Screenplay and Best Actress awards at international film festivals, including BAFTA-qualifying and Canadian Screen Award-qualifying festivals.

Founder and CEO
, Anthum AI

Orri Bogdan is a repeat founder in CPG and ad-tech. His first company ALL DAY reached over $10M in revenue in year 2. Orri has raised from investors including the founder of Netflix, JUUL, and other notable entrepreneurs.

Why the AI for Good Film Festival
Celebrate the power of film to drive positive change and explore how AI is helping to solve humanity’s biggest challenges.
  • Impactful films
    The Film Festival will feature a carefully curated selection of powerful and thought-provoking films that showcase the intersection of technology, art, and social impact, inspiring global audiences to take action toward solving global challenges.
  • Esteemed judges
    A team of leading directors, technology experts and AI pioneers will meet to evaluate the films collected and define the winners.
  • Diverse perspectives
    The initiative provides a platform for filmmakers, technologists, and activists to share their unique perspectives and collaborate on innovative solutions to the world's pressing challenges using the power of storytelling and AI for Good.
  • Geneva Premiere

    Participate in the exclusive AI for Good Film Festival Screening and Reception, hosted by ITU, during the AI for Good Global Summit 2026.

Sponsors
AI for Good Film Festival 2026 Sponsor
PixVerse-Black
The official selection 2025
In competition
  • CLOWN
    Year of production: 2025
    Country: United Kingdom
    In a surreal fusion of live-action and AI-generated imagery, the film centers on a talented clown who gradually loses her sense of self in pursuit of audience approval. As she… Read more
    Directed by Shanshan Jiang
  • SOULS OF THE SHIPWRECK (WINNER)
    Year of production: 2025
    Country: South Korea
    After a fierce storm, the sea devours everything - a wrecked ship, wandering souls, and the silence heavy with prayers. Amidst this stillness, a woman throws herself into the sea.… Read more
    Directed by Dejawa (Yunsun Lee), Dana (Jungmin Hong), and Panda Gomm (Kyungsoo Lee)
  • CLOTHES OF DECEPTION
    Year of production: 2025
    Country: Czech Republic
    Beneath the summer sun, two souls surrender to the same waters. Yet when they rise, the world no longer sees them as they were. This Zen tale invites us into… Read more
    Directed by Odair Faléco
  • SOLEDAD
    Year of production: 2025
    Country: Spain
    “Soledad`` is a very common female name in Spanish; it also means solitude. “Soledad” is the story of a specter who lives in isolation in nature but feels the desire… Read more
    Directed by Isabelita Virtual
Out of competition
  • ANWAR
    Year of production: 2024
    Country: Canada, USA
    Anwar is a personal sci-fi about a mother who chooses to live forever, and a son who longs for heaven. We see Anwar age from 8 to 18 to 80,… Read more
    Directed by Fawaz Al-Matrouk
  • WHAT TO BE? A JOURNEY THROUGH AI
    Year of production: 2025
    Agency: UNICRI Centre for AI and Robotics, with the support of Disney Worldwide Services. Mia, a teenage girl, needs to do a school presentation about her dream career. The only… Read more
    Directed by Ricardo Megre
  • ROOTS OF THE END
    Year of production: 2025
    Country: Brazil
    This AI-generated short film offers a poignant perspective on the devastation of the Amazon rainforest, fauna, and indigenous communities, as seen through the eyes of a chief. The narrative serves… Read more
    Directed by Guigo Gerber
  • THE SEA THAT DREAMED
    Year of production: 2025
    Country: Canada
    “THE SEA THAT DREAMED” is a poetic short film that follows a solitary creature adrift in a mysterious sea, whose journey begins when a forgotten jar reveals a hidden world… Read more
    Directed by Roxanne Ducharme
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